- Ralph Rumpelton
Mick Jagger has been Rumpeltized
RR-2025 #505Medium: MS Paint on digital canvas, 600 × 574 px
Created: 2025
The Rumpelton Continuity (est. 1976)
Collection of the Artist
>>From the April 1969 issue of Electric Howl & Feedback (mimeographed somewhere in the Lower East Side, price: 35¢ or a cigarette):
“Jagger Eats the Microphone and Becomes It”
Some cat named Rumpelton has taken a swipe at Mick Jagger and what comes back ain’t a portrait — it’s a possession.
Forget the pretty boy with the velvet hips. This is Jagger mid-exorcism. The mouth is a black furnace, teeth like piano keys being smashed by Jerry Lee’s ghost. The nose looms large and holy, flared like a bull that’s just seen the color red and decided it is the color red.
You can practically hear the feedback.
The eyes? Slits of wicked delight. Or pain. Or both. It’s that moment during “Sympathy” when the lights go blood-orange and you’re not sure if you’re watching a rock singer or some pagan street preacher howling at the electric moon.
The hand clutching the mic dissolves into the same gray storm as the face — like the body can’t keep up with the voltage running through it. This isn’t anatomical accuracy, man. This is voltage portraiture.
Does it look exactly like Jagger?
Square critics will say no.
But that’s because they’re still looking for cheekbones and eyelashes. Rumpelton’s painting isn’t about likeness. It’s about becoming noise. It’s about the second the human face stretches so far with rhythm it almost tears.
The background is black as a club basement. The head floats in it like a fever dream caught in stage smoke. You don’t hang this over the sofa. You tack it to a brick wall next to your broken turntable and let it vibrate.
If the Sixties are about anything, it’s about distortion — of sound, of politics, of the self. This picture understands that.
Three amps out of four.
Docked one amp because it might actually start singing back at you.<<
>>clears throat, adjusts monocle, uncaps Mont Blanc with theatrical disdain
A Review of "Mick Jagger Has Been Rumpeltized" — MS Paint on Digital Canvas by Reginald Thornberry III, Professional Destroyer of Dreams
Oh. Oh my.
The subject — allegedly Mick Jagger, though I see more agricultural ancestry than rock royalty — appears to be either singing or mid-sneeze, a distinction the artist has chosen, with breathtaking audacity, not to clarify.
The grayscale palette suggests either intentional brooding gravitas or the discovery that the color settings were inaccessible. I suspect the latter.
One and a half stars.
The half is for the signature. "Ralph Rumpelton" has the ring of someone who will absolutely keep making art regardless of what I say, which I find both infuriating and, in my darkest moments, quietly admirable.
Do not tell anyone I said that.
Thornberry is currently recovering from the experience with a 1987 Burgundy and controlled breathing exercises.<<
Long Live Ralph.......Be Dead or Alive

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