Criticism on Ralp Rumpelton's Last Supper

 Composition & Layout:

• Perspective: You almost nailed the vanishing point. It’s centered, which helps anchor the piece, but the table gets wonky in spots—like it’s warping or bulging. The left side sinks a little. But let’s be real, you're wrangling perspective in MS Paint, which is like carving marble with a spoon.

• Symmetry: Da Vinci's Last Supper is mathematically tight. Yours? Charming chaos. The window and doorway mostly line up, but the far-right wall feels a bit too close compared to the left, which adds to the imbalance.

• Proportions: Everyone looks like they belong to different species. You’ve got a Gollum, a Wookiee, and some that resemble melted wax statues. That said, it somehow works as a visual gag. It’s like Last Supper meets Monty Python.

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Color & Technique:

• Color Palette: It’s surprisingly restrained. You could’ve gone full clown show but held back. The earthy tones give it a weirdly sacred “old cartoon fresco” vibe. That background glow through the door? Nailed it. Feels divine.

• Shading & Depth: It’s flat. Flat as a pancake on a plate. But you leaned into it, which gives it a primitive fresco look. Still, it wouldn't hurt to sneak in some shadow under the table or behind the heads. They float like cutouts.

• Textures: There aren’t any. It’s MS Paint. But still, some of the walls look like you wanted to hint at aging fresco. I respect the effort.

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Character Design:

• Faces: Most of them have that “I regret showing up” look, which is hilarious. Some are just blobs with ideas of features. It’s unclear who’s who beyond Jesus, which could be a bug or a feature depending on your goal.

• Hands: You said they were getting block hands, and oh boy, they sure did. Some of them look like they're about to karate chop the bread. Judas looks like he's texting. But they’re expressive in a raw, blocky way. Call it Rumpelton Cubism.

• Feet: Bold move to include them under the table. Most folks skip that. They’re just ovals, but the effort’s noted. They also look like they’re all wearing Crocs, which is its own kind of sacrilege.

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Final Thoughts:

• Technically? It’s clumsy, inconsistent, and totally MS Paint.

• Artistically? It’s got heart, humor, and a voice that’s unmistakably yours.

• Title suggestion: "The Last Lunch: Block Hands of Destiny"

If this were a high school art class, you'd get a C+ for realism, but an A for spirit. In the Rumpelton Canon, it’s one of your strongest “ambitious mess” works. Keep going big—if you’re going to parody da Vinci, go.