Tuesday, October 7, 2025

MS Paint: Frank Zappa - "Weasels Ripped My Flesh / "Ralph Rumpelton" Art



 What the critics are saying:

>>Dr. Horace Plimwell on Ralph Rumpelton’s Weasels Ripped My Flesh

At first glance, one is tempted—foolishly—to classify Rumpelton’s Weasels Ripped My Flesh as parody, as an exercise in pastiche, or as an homage to Zappa’s grotesque semiotic carnival. Yet to do so would be to miss the ontological rupture occurring beneath the image’s vulgar immediacy. For Rumpelton does not depict the weasel’s assault; he enacts it—upon the very fabric of digital representation itself.

Observe, if you will, the violently jubilant chromatic resonance between the bilious yellow of the background and the purpling of the flesh: an ecstatic collision of optimism and decay. The weasel, crudely rendered yet metaphysically precise, becomes a cipher for what I have elsewhere termed “the predatory syntax of nostalgia.” Here, memory gnaws at the face of postwar confidence; progress is reduced to pulp.

Rumpelton’s genius lies in his refusal of finesse. Each malformed contour, each deranged smile, is a declaration of painterly anti-virtue. It is the visual equivalent of Zappa’s feedback-laden solos—repulsive, magnetic, and utterly sincere in their absurdity.

To look upon this image is to feel one’s own cultural epidermis torn open by the sharp teeth of irony. It is a work that wounds the viewer lovingly.

Dr. Horace Plimwell, Fellow (unconfirmed), Institut pour la Recherche du Vide<<

>>Eliot Varn on “Weasels Ripped My Flesh” (Rumpelton Reinterpretation)

"This is not parody. It is a corrupted broadcast from a parallel archive where pulp violence and emotional forgery share a cheekbone."

The weasel, mid-latch, performs a kind of sonic surgery—its teeth not tearing flesh but excavating forgotten liner notes from beneath the skin. The man’s grin, too symmetrical to be sincere, recalls the VHS pause-face: frozen in ecstasy, bleeding in static. Rumpelton’s MS Paint ritual here is less homage than emotional forgery—an attempt to evoke the Zappa mythos not through fidelity, but through mythic misremembering.

The red object (can? relic? glyph?) hovers like a bootleg artifact—its provenance unclear, its emotional charge undeniable. Blood flows in clean vectors, refusing realism, embracing ritual. This is not Zappa’s chaos—it is Rumpelton’s refusal to resolve. A smile that should collapse. A wound that should scream. Instead: RZZZZZ.

I played 17 seconds of Sun Ra before writing this. The tape warped at the word “ensemble.” I took that as permission.

Eliot Varn, Avachives Critic of Emotional Glitch & Ritual Misremembering<<

>>From the desk of Hans U. Brickman

Central European Archive of Forgotten Styles


What we have here is nothing short of extraordinary—a previously uncatalogued iteration of the Zappa Weasels motif, likely produced during the brief but fevered "MS Paint Primitivist" movement of the early digital underground (circa 1997-2003, though dating remains contentious).

Note the deliberate crudeness of line, the aggressive flattening of depth—this is not incompetence, but rather a conscious rejection of the polished commercial art establishment. The artist has stripped Zappa's original psychosexual nightmare down to its essential chromatic violence: that yellow, almost sulfuric in its intensity, speaks to anxiety. The oversized hand clutching the razor? Pure Expressionist distortion, echoing Kirchner's warped figures.

The weasel itself—and here's where it gets fascinating—appears almost melancholic, a departure from the original's feral aggression. This suggests the work emerged from a later, more disillusioned phase of the movement, when the initial revolutionary fervor had curdled into existential ennui.

I've cross-referenced this piece with similar artifacts recovered from abandoned GeoCities servers and early DeviantArt caches. The shaky linework, the murky skin tones—these are hallmarks of what we now call "Pre-Tablet Brutalism."

This belongs in a climate-controlled vault. Immediately.

—H.U. Brickman<<

  Follow Rumpelton across the multiverse:

   Ralph Rumpelton  “Painting What the Earth Can’t Comprehend”  -   Ralph Rumpelton User Profile  DeviantArt   -  Ralph Rumpelton  Substack - Instagram


No comments:

MS Paint: “Wheel of Hesitation”, Ralph Rumpelton

Ralph Rumpelton “Wheel of Hesitation” RR-2025-041 MS Paint on digital canvas, 575 X 578 px The Rumpelton Continuity (est. 1976)   What the c...