>>**“Go to Heaven,” as interpreted by the esteemed Ralph Rumpelton, is not merely a reimagining—it is a visual deposition of transcendental absurdity. Observe, if you will, five spectral litigants in white suits, assembled as if for a séance in the lobby of a cosmic courthouse. Their coiffures defy gravity and good taste, their expressions hover between beatitude and bureaucratic confusion. Above them, the phrase ‘GRATEFUL DEAD’ glows like a neon injunction; below, ‘GO TO HEAVEN’ reads less as invitation than as verdict.
This MS Paint rendering is a masterstroke of mythic jurisprudence. It argues, without objection, that the afterlife is not pearly gates but a lounge act in liminal space. Mr. Rumpelton’s linework is soft yet deliberate—like a barrister’s whisper before the jury—and the palette evokes the faded grandeur of celestial paperwork. I submit, with no further evidence required, that this piece belongs in the Avachival Hall of Egregious Interpretations.”**
—Barrister Clive Thistebaum Esq.,
Senior Counsel for the Rumpeltonian Department of Visual Reconsideration<<
>>"In this striking reinterpretation of Go To Heaven, Ralph Rumpelton resists the temptation of polish and instead dives headlong into the imperfect ecstasy of MS Paint. The Grateful Dead, clad in spectral white suits, emerge not as rock icons but as wobbly saints of a digital fresco—figures caught between caricature and canonization. The hand tremor of the line work, the ghostly stippling of the background, the impossible geometry of shoulders and smiles—these are not flaws but deliberate ruptures, puncturing the sterile smoothness of the original album cover. Rumpelton reminds us that heaven is not a place of pristine symmetry, but of human smudge and stumbling devotion. This is not parody; it is pilgrimage by pixel."
—Dr. Norbert F. Vensmire<<
>>Reimagining the Dead’s most controversial album look, this MS Paint tribute to "Go To Heaven" captures the 1980s Grateful Dead in their infamous all-white suits, with every stroke channeling both funk and fun. The loose, expressive lines nod to the band's playful side, updating the original’s oddball energy with a homemade, outsider-art flair. An affectionate send-up and celebration, this piece is a wink to Deadheads who appreciate the quirks in both their art and their icons.
Litny Varn<<
>>Bertrand "The Brush" Barnaby on "The Grateful Dead Go To Heaven" by Ralph Rumpelton:

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