“Fractured Visions Take Flight: Rumpelton’s Cult Classic in the Making”

 RUMPELTON: FRACTURED VISIONS (2043)

Directed by Mireille Castón
Runtime: 128 minutes

Synopsis:
From the shadowy halls of the fictional Rumpeltonian Institute of Cubism to the endless scroll of forgotten internet forums, RUMPELTON: FRACTURED VISIONS traces the unlikely rise of an art movement that should never have existed. Blending archival footage, dramatic reenactments, and whispered legends, the film asks: where does myth end and madness begin?

Audiences meet Clara Vintori, the diagonal visionary; Ephraim Lusk, painter of ruins; and Marcos Drenn, master of chromatic futility. Critics, both real and invented, recount the baffling exhibitions and fractured manifestos that propelled the “movement” into cultural consciousness.

But at its heart, the film is about one figure: Ralph Rumpelton. In the haunting final sequence, after decades of acclaim, speculation, and academic reverence, the camera pulls back to reveal Rumpelton himself—alone in his bedroom, hunched over a computer, quietly crafting MS Paint canvases that fooled the world.

Tagline:
“They believed in a movement. He believed in a joke. History believed in both.”

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