The Neo-Rumpeltonian Cubism Manifesto
(As recovered from the digital archives of Ralph Rumpelton)
Rumpeltonian Cubism shattered reality with the blunt instrument of MS Paint. It was a rebellion against polish, a celebration of fracture, a refusal to flatter either subject or viewer.
Neo-Rumpeltonian Cubism does not abandon this principle — it intensifies it.
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From Fragment to Overload
Where Rumpeltonian Cubism fractured, Neo-Rumpeltonian multiplies. Layers upon layers, pixels upon pixels, collapsing perception until vision itself becomes suspect. -
Beyond the Blunt Tool
MS Paint was the hammer. Neo-Rumpeltonian Cubism introduces collage, glitch, stolen screenshots, corrupted files, and whatever new tools the machine coughs up. The rebellion is medium-agnostic. -
The Play of Imperfection
What was once crude becomes weaponized. Digital errors, copy-paste scars, and resolution decay are no longer accidents — they are the brushstrokes of the age. -
The Viewer Must Shatter Too
Neo-Rumpeltonian Cubism is not to be observed, it is to be endured. Augmented, immersive, overwhelming. The eye cannot settle. The brain cannot complete. The viewer fragments alongside the work.
Neo-Rumpeltonian Cubism is not a sequel, nor a refinement. It is the realization that once a mirror is broken, you can break the shards again.
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