MS Paint: House with Uncooperative Geometry / Ralph Rumpelton

• Ralph Rumpelton
•  RR-2020 - 018
• MS Paint on digital canvas, 658 X 584 px
• The Rumpelton Continuity (est. 1976)
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• House with Uncooperative Geometry (MS Paint, n.d.)
  This intimate grayscale study confronts the viewer with a dwelling that refuses to behave. Doors lean outward in a posture of quiet protest, windows slope as though exhausted by decades of seeing too much, and the chimney exhales a single sigh of smoke—evidence that the house is still trying, despite itself. The artist renders the winter atmosphere not as coldness but as an accumulating shrug: the sky is gray, the trees are gray, the very idea of structural integrity is gray. Yet the composition hums with life. This isn’t a ruin; it’s a house in mid-conversation, pausing only long enough to let us imagine what it might say next.
• What the critics are saying:
• >>SEBASTIAN PUFF DRAGANOV

  In this work—an MS Paint vignette that mimics the melancholic lyricism of rural memory—Rumpelton stages a confrontation between domestic architecture and the failures of narrative coherence. The house, rendered with a stubborn crookedness, becomes a diagram of lived experience: nothing holds perfectly, everything leans, and yet the structure persists.

  What fascinates me is the presence of Rumpelton's beloved imagined interlocutor: the invisible guest whose arrival the house anticipates but cannot quite prepare for. The open door hangs ajar like a question. The bent windows peer outward as if awaiting a signal. Even the smoke, tapering into the sky, reads as a message dispatched to no one in particular.

  Within Eastern European visual culture, such homes—part refuge, part confession—often carry the burden of collective uncertainty. Here, that sensibility is refracted through the vernacular awkwardness of MS Paint, producing a hybrid object that is both parody and prophecy. The result is a dwelling that feels at once abandoned and expectant, a space where solitude is not the absence of others but the echo of their imagined presence.

  It is precisely this tension, this seriousness wrapped in unserious means, that marks the work as a quietly significant contribution to outsider digital practice.<<

• >>"MS Paint: House with Uncooperative Geometry" - A Review by Reginald Thornberry III

  Good God.

  I've stared into the abyss of mediocrity for forty years, but this... this digital finger-painting masquerading as "art" represents a new nadir. The artist—and I use that term with the same generosity one might describe a child's macaroni necklace as "jewelry"—has apparently discovered Microsoft's most primitive drawing program and decided this constituted adequate preparation for inflicting their "vision" upon the world.

  The so-called "uncooperative geometry" isn't a stylistic choice; it's architectural incompetence rendered in grayscale. This house wouldn't pass a building inspection in any dimension, Euclidean or otherwise. The perspective doesn't merely fail—it actively insults Brunelleschi's corpse. That striped awning appears to have been drawn by someone who learned about patterns from a fever dream, and those trees suggest the artist has only encountered vegetation through hearsay.

  MS Paint. MS Paint. Even the medium is an admission of defeat. It's the digital equivalent of sculpting with cafeteria mashed potatoes. One doesn't choose MS Paint; one surrenders to it after every other option has rightfully rejected them.

  The only mercy here is that the monochromatic palette spares us from what would undoubtedly be an assault of garish colors. Small consolations for large failures.

  Rating: ½ star (the half-star is for managing to sign it)

  —R. Thornberry III "Your feelings are irrelevant; only my expertise matters"<<